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A horror scholar and her best friend walk into a speed-dating trap Jamie Prescott is a PhD candidate at NYU writing her dissertation on the parallels between slasher films and romantic comedies.
A horror scholar and her best friend walk into a speed-dating trap
Jamie Prescott is a PhD candidate at NYU writing her dissertation on the parallels between slasher films and romantic comedies.
A horror scholar and her best friend walk into a speed-dating trap
Jamie Prescott is a PhD candidate at NYU writing her dissertation on the parallels between slasher films and romantic comedies. Her best friend and roommate Laurie—a documentary filmmaker who expresses affection through handshakes and brutal honesty—drags her to a monthly singles event. Earlier that day, a news report about a fifth Brooklyn serial killer victim, found surrounded by rose petals, scrolled across their TV, barely registering. The event lands them at Serendipity, a former warehouse club they frequented in college, now redecorated in oppressive crimson velvet across three labyrinthine floors. At check-in, phones, purses, and watches are confiscated to encourage authentic connection. Ten women settle into the basement bar while ten men wait on the mezzanine. The host briefs them: ten-minute dates, move when the bell rings.
A Jeffrey Dahmer reference kills the chemistry with bachelor number five
After three forgettable dates, Jamie sits across from John. He is cute in a Bill Pullman way: floppy hair, warm blue eyes, a soft closed-mouth smile. He listens, asks good follow-ups, makes her blush. Something easy and warm hums between them. Then Wes takes the seat, and Jamie's compass spins. He is muscular where John was lean, intense where John was gentle. He asks what makes her happy; she says movies. They discover shared ground—he loves Miss Congeniality, she loves Saw—and the chemistry crackles until Jamie jokes that the worst-case scenario for speed dating would be murder. She spirals into a monologue about serial killers who target daters, complete with jazz hands on the word. Wes goes stone-faced and leaves the instant the bell rings.
Lights drop, four people die, and the date bell rings Jamie's ninth date, Curtis, is a textbook creep—vodka Red Bull, sleazy pickup lines, and a conviction that every unimpressed woman is a bitch. She tells him to shut his mouth. The lights cut out. In total darkness, a wet slicing sound ripples through the basement bar. When the lights return, Curtis still sits across from her—but a red curve grins open across his throat, blood pouring down his collar. Both bartenders are dead. The host lies facedown in a booth with a knife in her back. Four murders executed in seconds of blackout. Jamie hides under the table, grabs a broken Kahlúa bottle as a weapon, and gives Laurie a smaller one. Eight daters survive in the basement: Jamie, Laurie, Wes, John, Stu, and three others. The speed-dating event has become a slasher…
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Get the complete summary in the appTen Dates, Zero Phones
Two Sparks, One Fumble
Throat Slit at Table Five
The Doors Won't Open
Rose Petals Among Corpses
Pink Mask, Heart Eyes
"How to Kill a Guy in Ten Dates" is a strong fit if you want practical ideas around romance, horror, thriller—especially themes like ten dates, zero phones; two sparks, one fumble. The MinuteRead summary distills these concepts into a focused read, whether you're deciding whether to buy the book or applying its lessons at work.
Shailee Thompson is a debut author known for writing strong-willed women with sharp wit and tender hearts, then placing them in dire situations. Her first novel combines slasher horror with romantic comedy, demonstrating that "all is fair in love and gore." Thompson's writing style is described as clever, sharp, and utterly original by readers. When not writing or discussing her characters as if they're real people, she enjoys spending time with friends' dogs and engaging in competitive Pilates …
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